MINIMUM STROKES
MAXIMUM EXPRESSION
Many year ago, I have always wanted to make drawings and
paintings with minimum expression of lines just like some masters works I have
seen. There were many drawings in few lines but with great elements and principles
of designs. I and my young colleagues even argued about how such works were
done, that it’s a lazy work because the artist did not use so much strokes,
details, time and attention. So many of them did not see it as a masterpiece. To
my point of view, I refer to such works as ‘master strokes’ because the many
years of training the artists went through is visibly obvious in the works. The
various elements and principles of design are present in the works even if it’s
in a minimum way, it takes a genius to simplify forms to such an extent and
conveys the his idea maximally. The technique involves spontaneous experiments with
lines and colours to create forms, shapes, tones, rhythm etc. The interesting
part of this techniques is its ability to engage the viewer toward subconsciously
adding to the content and completing the picture. The works usually appears
unfinished though signed by the artist. The viewer could still add one or two
content to the picture because much of what are not seen drawn by the artist
will be added by the audience viewing the work. This gives the view more time
to participate in the work. So this is an interesting way of making a drawing
or a painting. -Jonathan Ikpoza
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Free Spirit X. 30x40cm. Charcoal on Watercolour Paper. 2016 |
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Free Spirit XI. 30x40cm. Charcoal on Watercolour Paper. 2016 |
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Free Spirit XII. 30x40cm. Charcoal on Watercolour Paper. 2016 |
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Free Spirit XIII. 30x40cm. Charcoal on Watercolour Paper. 2016 |
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